FALLING INTO TIME

Gruppe
(Photo: Daniel Blattmann)
pressemitteilung

What hap­pens when ba­ro­que so­und­s­capes meet con­tem­pora­ry dance? When rhyth­mic ec­sta­sy bet­ween ta­ran­tel­la, tech­no and per­cus­sion meets cho­reo­gra­phic pre­cisi­on? With FAL­LING INTO TIME, stu­dents of the BA Dance cour­se at the Frank­furt Uni­ver­si­ty of Mu­sic and Per­forming Arts (HfMDK) will pre­sent three dance evenings at Künst­ler*in­nen­haus Mou­son­turm from 28 to 30 May 2026, each of which in­ter­wea­ves dif­fe­rent times, styles and ar­tis­tic styles.

A to­tal of six cho­reo­gra­phic works - in­clu­ding three world pre­mie­res - will open up a mul­ti-laye­red pan­ora­ma of con­tem­pora­ry dance to the au­di­ence. The fo­cus is on the crea­ti­ve en­coun­ter bet­ween dance, his­to­ri­cal in­ter­pre­ta­ti­on prac­tice and per­cus­sion: a li­vely dia­log bet­ween sound and mo­ve­ment, struc­tu­re and im­pro­vi­sa­ti­on, past and pre­sent.

A new pro­duc­tion is being crea­ted un­der the di­rec­tion of Prof. Han­nah Shak­ti Büh­ler tog­e­ther with per­cus­sion stu­dents from Prof. Emil Ku­yum­cu­yan's class. Büh­ler, who­se most re­cent works deal in­ten­si­ve­ly with tra­di­tio­nal dance rhythms as well as punk and tech­no ae­s­the­tics, is de­ve­lo­ping a cho­reo­gra­phic work full of en­er­gy, phy­si­ca­li­ty and mu­si­cal ten­si­on with the stu­dents.

In ad­di­ti­on, two fur­ther world pre­mie­res will be crea­ted with the in­ter­na­tio­nal­ly re­now­ned cho­reo­graph­ers Yu­val Pick and Ju­li­an Bar­nett. While Pick ex­plo­res ri­tu­al forms and the in­ter­play bet­ween in­di­vi­du­al and group in his works, Bar­nett com­bi­nes in­flu­en­ces from Bu­toh and im­pro­vi­sa­ti­on to crea­te a phy­si­cal­ly in­ten­se mo­ve­ment lan­guage.

A spe­cial item on the pro­gram is the rein­ter­pre­ta­ti­on of "SO­NA­TEN" by cho­reo­gra­pher and BA­tanz alum­nus Ri­chard Ober­sche­ven. Se­cond-year stu­dents will en­coun­ter live mu­sic from the field of his­to­ri­cal in­ter­pre­ta­ti­on prac­tice, pre­sen­ted by stu­dents from Prof. Eva Ma­ria Pol­le­rus' class. This crea­tes a fa­sci­na­ting con­nec­tion bet­ween his­to­ri­cal in­ter­pre­ta­ti­on prac­tice (HIP) and con­tem­pora­ry dance.

The evening will be com­ple­men­ted by works from this ye­ar's win­ter dance pro­ject. The ran­ge of pie­ces re­veals the di­ver­si­ty of ar­tis­tic me­thods - from so­ma­tic prac­tices and im­pro­vi­sa­ti­on tech­no­lo­gies to com­plex cho­reo­gra­phic scores.

The BA­tanz pro­gram and Künst­ler*in­nen­haus Mou­son­turm have been working clo­se­ly tog­e­ther for many ye­ars. With FAL­LING INTO TIME, the two in­sti­tu­ti­ons are con­ti­nuing their coope­ra­ti­on and crea­ting a pro­fes­sio­nal pro­duc­tion and per­for­mance frame­work for young ar­tists. The stu­dents not only gain in­sights into the work pro­ces­ses of an in­ter­na­tio­nal­ly net­wor­ked pro­duc­tion house, but also ex­pe­ri­ence the in­spi­ring power of in­ter­di­sci­pli­na­ry col­la­bo­ra­ti­on wi­t­hin the HfMDK.

FAL­LING INTO TIME: an evening of dance about tran­si­ti­ons, re­so­nan­ces and fric­tion - about the ques­ti­on of how time is in­scri­bed in the body. And an evening that arou­ses cu­rio­si­ty about the fu­ture of dance in Frank­furt.

zwei Tänzerinnen

Wintertanzprojekt 2026

Gruppe

Wintertanzprojekt _2 2026

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