Va­si­liy An­ti­pov is com­po­ser, or­ga­nist, gui­ta­rist and lu­te­nist

Va­si­liy An­ti­pov: I fi­nis­hed sym­pho­ny and would love to sha­re its MIDI ren­de­ring with the full score at­ta­ched. If you lis­ten while fol­lo­wing the no­ta­ti­on, you can get a clear sen­se of how it might sound in a real per­for­mance.
This sym­pho­ny is a tru­ly in­no­va­ti­ve work—es­pe­ci­al­ly in its form. For the first time ever, I’ve ap­p­lied frac­ta­li­za­ti­on of form using a tech­ni­que I de­ve­lo­ped cal­led in­te­gra­ted forms. The idea is this: take any exis­ting form (say, a fu­gue), break it into its ba­sic com­pon­ents (sub­ject, coun­ter­sub­ject, ans­wer, epi­so­de), and re­place each com­po­nent with a ful­ly de­ve­lo­ped form of its own—like a ca­non, ground bass, or ano­t­her fu­gue. The­se nested forms com­bi­ne into a su­per-form made of smal­ler, self-con­tai­ned struc­tures.
 

 https://you­tu.be/ML_bQS2m5K8?si=dt­qL­bEL­VL538o8tP 

 

Vasiliy Antipov Symphony

Vasiliy Antipov plays J.S.Bach Fantasia und Fugue g-moll

Schreibt Symphony
Vasiliy Antipov(Photo: Vasiliy Antipov)