<p style="mar­gin: 0px; font-stretch: nor­mal; font-size: 12px; line-height: nor­mal; font-fa­mi­ly: Ari­al; -web­kit-text-stro­ke-width: in­iti­al; -web­kit-text-stro­ke-co­lor: #000000;"><span style="font-ker­ning: none;">Hans Ca­mil­le Van­col is a Hai­ti­an born Ca­na­di­an rai­sed in Af­ri­ca. He is a per­for­mer, tea­cher, cho­reo­gra­pher and di­rec­tor. He re­cei­ved his trai­ning at the school of Les Bal­lets Jazz de Mont­re­al and his tea­chers in bal­let, jazz and mo­dern were And­re Lu­cas, Odet­te La­lon­de and Eva von Genc­sy. He la­ter joi­ned the com­pa­ny to in­ter­pret works of Lou­is Fal­co and Ulys­ses Dove among others.&nbsp;</span></p>
<p style="mar­gin: 0px; font-stretch: nor­mal; font-size: 12px; line-height: nor­mal; font-fa­mi­ly: Ari­al; -web­kit-text-stro­ke-width: in­iti­al; -web­kit-text-stro­ke-co­lor: #000000;"><span style="font-ker­ning: none;">Fol­lo­wing five ye­ars of in­ten­si­ve world­wi­de tou­ring, he went to Le Bal­let du Grand Thea­t­re de Gen&egra­ve;ve di­rec­ted by Os­car Araiz, whe­re Alp­hon­se Poulin&rs­quo;s in­flu­ence on his bal­let tech­ni­que was fun­da­men­tal to per­form works of Mats Ek and Jiri Ky­li­an. He also taught Jazz Dance at the Con­ser­va­toire de Mu­si­que de Gen&egra­ve;ve. &nbsp;</span></p>
<p style="mar­gin: 0px; font-stretch: nor­mal; font-size: 12px; line-height: nor­mal; font-fa­mi­ly: Ari­al; -web­kit-text-stro­ke-width: in­iti­al; -web­kit-text-stro­ke-co­lor: #000000;"><span style="font-ker­ning: none;">Two ye­ars la­ter, he went to Ita­ly, whe­re he worked for TV and the Fa­shion sec­tor as a free­lan­ce ar­tist. De­spi­te tho­se sti­mu­la­ting ye­ars, the ex­ci­te­ment of the thea­t­re world was lacking, hence ac­cep­t­ing a con­tract as a princi­pal at Il Bal­let­to di Ve­ne­zia di­rec­ted by Giu­sep­pe Car­bo­ne.&nbsp;</span></p>
<p style="mar­gin: 0px; font-stretch: nor­mal; font-size: 12px; line-height: nor­mal; font-fa­mi­ly: Ari­al; -web­kit-text-stro­ke-width: in­iti­al; -web­kit-text-stro­ke-co­lor: #000000; min-height: 14px;"><span style="font-ker­ning: none;">In spi­te of three unf­or­gett­able ye­ars</span><span style="font-fa­mi­ly: Ari­al;"><span style="font-size: 12px; -web­kit-text-stro­ke-width: in­iti­al;">&nbsp;of ar­tis­tic col­la­bo­ra­ti­ons, his tur­ning point was es­tab­li­shing a dance school in Ve­ro­na with his wife Anat Wein­ber­ger.&nbsp;</span><span style="font-size: 12px;">Sub­se­quent­ly</span><span style="font-size: 12px; -web­kit-text-stro­ke-width: in­iti­al;">&nbsp;three de­ca­des, the Vic Bal­let Aca­de­my still pre­pa­res young stu­dents to get into re­nown in­ter­na­tio­nal aca­de­mies and con­ti­nues the pro­li­fe­ra­ti­on of sharing Dance with the en­t­i­re com­mu­ni­ty. He has en­rol­led at the MA CoDE in Oc­to­ber 2019.</span></span></p>
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