Cham­ber mu­sic

Kammermusik-Trio im Konzert: Geige, Klavier, Violoncello
Eine Studentin sitzt am Flügel in einem Unterrichtsraum
Ein Geiger und ein Pianist während einer gemeinsamen Kammermusikprobe, der Bildfokus liegt auf dem Geiger im Hintergrund des Bildes.
Ein Cellist in der Kammermusikprobe
Quartett auf der Bühne des Großen Saals
Ein Pianist spielt mit einer Hand auf einem Flügel

The en­sem­ble cul­tu­re is held in the hig­hest es­te­em at the HfMDK, it shapes the uni­ver­si­ty and links stu­dents from all de­part­ments. What this leads to is shown not least by the many suc­cess­ful new en­sem­bles foun­ded by stu­dents, such as the string quar­tets Aris Quar­tett and Eli­ot Quar­tett or the Gut­freund Pia­no Trio.

Pro­gres­si­ve ide­as, in­ter­na­tio­nal suc­cess

Wi­t­hout sound trai­ning, a sup­por­ti­ve, open at­mo­s­phe­re, col­la­bo­ra­ti­ons and pro­gres­si­ve ide­as, such suc­ces­ses would be al­most in­con­ceiva­ble. We the­re­fo­re at­tach the ut­most im­por­t­an­ce to the­se fac­tors: we re­gard cham­ber mu­sic at the HfMDK as the ba­sis of all mu­sic-ma­king and as a work­shop for ex­cel­lent en­sem­ble play­ing, working door to door with the In­sti­tu­te for Con­tem­pora­ry Mu­sic IzM as well as the cour­ses in In­ter­pre­ti­ve Prac­tice and Tea­ching of New Mu­sic and His­to­ri­cal In­ter­pre­ta­ti­on Prac­tice (HIP)

The So­cie­ty of Fri­ends and Pa­trons of the HfMDK also con­tri­bu­tes in­stru­ments for suc­cess - in the tru­est sen­se of the word: sin­ce 2020, it has pro­vi­ded a high-qua­li­ty string quar­tet on per­ma­nent loan for the cham­ber mu­sic trai­ning.

In­di­vi­du­al pro­files in pia­no cham­ber mu­sic and string cham­ber mu­sic

The Mas­ter's pro­gram is di­rec­ted by Prof. An­ge­li­ka Merk­le (pia­no cham­ber mu­sic) and Prof. Tim Vog­ler (string cham­ber mu­sic). A con­cert exam can be ob­tai­ned in each of the two spe­cia­li­za­ti­ons.

All stu­dents de­ve­lop their own ar­tis­tic pro­fi­le - re­gard­less of whe­ther they see their fu­ture in an en­sem­ble, an or­ches­tra or in mu­sic edu­ca­ti­on.

Pia­no cham­ber mu­sic and string cham­ber mu­sic can be cho­sen as fo­cal points in the cour­se of stu­dy, wher­e­by in both ca­ses the fol­lo­wing ap­p­lies: en­sem­bles will al­ways find a sta­ge - both wi­t­hin the uni­ver­si­ty and, for examp­le, wi­t­hin the frame­work of the Cham­ber Mu­sic Com­pe­ti­ti­on of the Po­ly­tech­nic So­cie­ty, the Len­zew­ski Com­pe­ti­ti­on, at "Mu­sik im Pal­men­gar­ten" in Frank­furt and the Rhein­gau Mu­sic Fes­ti­val.

Study programs & application information

Grafik einer gelben Hand und einer grünen Hand, die typische Handhaltungen beim Musizieren zeigen.
(Foto: State Design Consultancy)

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From March 11 to 13, 2025, the HfMDK will be a meeting place for international chamber music ensembles. They will compete for the Schumann Chamber Music Prize Frankfurt in the piano trio category. Register now until November 1, 2024.

Chamber music in concert

Ques­ti­ons & Con­tact