Over 100,000 euros for MA CoDE scholarship holders

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With the twelfth ge­nera­ti­on of stu­dents on the MA CoDE mas­ter's pro­gram, a di­ver­se group of in­ter­na­tio­nal ar­tists is once again be­gin­ning their jour­ney tog­e­ther. Thanks to the sup­port of the Crespo Foun­da­ti­on, the scho­l­ar­ship pro­gram will be fun­ded with over 100,000 eu­ros un­til 2030 - a de­cisi­ve con­tri­bu­ti­on to the ar­tis­tic and pe­dago­gi­cal de­ve­lop­ment of young dance pro­fes­sio­nals.

The cur­rent scho­l­ar­ship hol­ders com­bi­ne dif­fe­rent bio­gra­phi­cal back­grounds, ar­tis­tic ap­proa­ches and so­ci­al per­spec­tives. They are united by their com­mon se­arch for new forms of mo­ve­ment, me­dia­ti­on and collec­tive prac­tice.

In­di­vi­du­al paths into dance

For Lu­cia­no Bap­tis­te, it all be­gan with the de­si­re to be­co­me a pro­fes­sio­nal skate­boar­der. His fa­sci­na­ti­on with re­pe­ti­ti­on and phy­si­cal lear­ning even­tual­ly led him to con­tem­pora­ry dance. Af­ter his stu­dies in Frank­furt, he de­ve­lo­ped his own mo­ve­ment prac­tice, in­flu­en­ced by his work with the mo­ve­ment cul­tu­re of Ido Por­tal, among others. To­day he tea­ches in­ter­na­tio­nal­ly and is co-in­itia­tor of a dance fes­ti­val in Darm­stadt. The MA CoDE cour­se marks a new de­ve­lop­men­tal step for him to fur­ther de­epen his ar­tis­tic prac­tice.

Ka­tha­ri­na Câ­ma­ra is also fol­lo­wing her own path: af­ter com­ple­ting a mas­ter's de­gree in busi­ness de­ve­lop­ment, she made a con­scious de­cisi­on to fo­cus on dance. In São Pau­lo's in­de­pen­dent sce­ne, she worked on in­ter­di­sci­pli­na­ry pro­jec­ts bet­ween per­for­mance, so­ma­tic prac­tice and so­ci­al re­flec­tion. Her work com­bi­nes per­so­nal per­spec­tives with collec­tive ex­pe­ri­en­ces. In the MA CoDE at the HfMDK, she is now spe­ci­fi­cal­ly loo­king for forms of me­dia­ti­on and new ways of ma­king dance ef­fec­tive in a so­ci­al con­text.

Luciano Baptiste
Luciano Bapiste(Photo: Sebastian Schmid)
Katharina Câmara
Katharina Câmara (Photo: Sebastian Schmid)
» With their artistic mediation work, MA CoDE graduates make a key contribution to our funding programs. At the interface of art, education and social engagement, they open up new approaches through dance, enable participation and create diverse perspectives. With our funding, we create the freedom to develop sustainable and future-oriented dance education. «Hanna Knell, Dance & Cultural Education Officer, Crespo Foundation
Hanna Knell
(Foto: Jessica Schaefer)

In­ter­na­tio­nal net­works and ar­tis­tic re­se­arch

Gia­da Grie­co has a dis­tinc­t­ly in­ter­na­tio­nal per­spec­tive: Af­ter stu­dy­ing in Ita­ly and working as an ar­tist in Eu­ro­pe, In­dia and Is­ra­el, she now works as a dan­cer, cho­reo­gra­pher and tea­cher. Her work re­vol­ves around iden­ti­ty, trans­for­ma­ti­on and emo­tio­nal sta­tes. With her own collec­tive, she de­ve­lops in­ter­di­sci­pli­na­ry for­mats that fo­cus on im­pro­vi­sa­ti­on and col­la­bo­ra­ti­on. In the MA CoDE, she would like to ex­pand her ar­tis­tic re­se­arch and con­ti­nue to think about cho­reo­gra­phy as a so­ci­al­ly re­le­vant prac­tice.

Dayoung Lim dis­co­ve­r­ed her pas­si­on for dance through K-Pop and de­ve­lo­ped a mul­ti-laye­red mo­ve­ment lan­guage bet­ween tra­di­ti­on and the pre­sent. Her trai­ning in South Ko­rea and in­ter­na­tio­nal ex­pe­ri­ence shape her ar­tis­tic ap­proach. At the cen­ter of her in­te­rest is the ques­ti­on of how em­bo­di­ed know­ledge can be pas­sed on. Her stu­dies in Frank­furt of­fer her the op­por­tu­ni­ty to com­bi­ne ar­tis­tic prac­tice and theo­re­ti­cal re­flec­tion.

Giada Grieco
Giada Grieco(Photo: Sebastian Schmid)
Dayoung Lim
Dayoung Lim(Photo: Sebastian Schmid)

Bet­ween theo­ry, so­cie­ty and ar­tis­tic prac­tice

Nika Mül­ler com­bi­nes dance with so­ci­al sci­ence is­su­es. Her back­ground in edu­ca­ti­on, so­cio­lo­gy and gen­der stu­dies flows di­rec­t­ly into her ar­tis­tic work. She sees dance as a space of ir­ri­ta­ti­on that ques­ti­ons so­ci­al norms and opens up new forms of tog­e­ther­ness. Her aim is to com­bi­ne theo­ry and prac­tice in a sustainab­le way and to shape dance as a collec­tive lear­ning pro­cess.

Tai­wo Oju­dun brings a stron­gly so­ci­al per­spec­tive to the group. Gro­wing up in La­gos, he de­ve­lo­ped his ar­tis­tic prac­tice bet­ween per­for­mance, ur­ban space and de­co­lo­ni­al thin­king. As the foun­der of a non-pro­fit dance collec­tive, he works with young peop­le and uses dance as a tool for so­ci­al trans­for­ma­ti­on. His work ope­ra­tes at the in­ter­sec­tion of art, edu­ca­ti­on and po­li­ti­cal dis­cour­se.

Nika Müller
Nika Müller(Photo: Sebastian Schmid)
Taiwo Ojudun
Taiwo Ojudun(Photo: Sebastian Schmid)

The im­por­t­an­ce of the scho­l­ar­ship

For all scho­l­ar­ship hol­ders, fun­ding from the Crespo Foun­da­ti­on is far more than just fi­nan­ci­al sup­port. It en­ab­les them to con­cen­tra­te ful­ly on their stu­dies, fur­ther de­ve­lop their ar­tis­tic and tea­ching skills and open up new per­spec­tives.

Par­ti­cu­lar­ly in a field such as con­tem­pora­ry dance, which is of­ten cha­rac­te­ri­zed by pre­ca­rious working con­di­ti­ons, the scho­l­ar­ship crea­tes scope for re­se­arch, ex­pe­ri­men­ta­ti­on and ex­chan­ge. It not only streng­t­hens in­di­vi­du­al ca­re­ers, but also the de­ve­lop­ment of an in­ter­na­tio­nal dance com­mu­ni­ty ba­sed on so­li­da­ri­ty.

» The continuation of the scholarship program by the Crespo Foundation is a substantial relief for the individual students in the MA CoDE and strengthens their respective focus areas. We also see this as a response to the good work of the MA CoDE alumni in the region and, above all, as a clear commitment to the potential of mediation in the art form of dance. We are grateful for the resulting appreciation of the MA CoDE profile. «Prof. Ingo Diehl, Head of the MA CoDE program
Porträt von Ingo Diehl
(Foto: Rebecca Hahn)

The HfMDK would like to thank the Crespo Foun­da­ti­on for its ge­nerous sup­port!

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