60 ye­ars of dance edu­ca­ti­on

Ein Tänzer mit weit geöffnetem Mund in Bewegung mit anderen Studierenden
(Foto: Ramon Haindl)

2021: Ce­le­bra­ting 60 ye­ars of dance edu­ca­ti­on

2021: Celebrating 60 years of dance education

In 1961, a pri­va­te bal­let school for clas­si­cal dance was in­te­gra­ted into the uni­ver­si­ty. Sin­ce then, the dance de­part­ment has been con­ti­nuous­ly de­ve­lo­ping the cur­ri­cu­lum in a crea­ti­ve and dy­na­mic pro­cess. Cur­rent po­si­ti­ons and looks back can be found in a fo­cus de­di­ca­ted to the dance de­part­ment in Frank­furt in Takt (FiT 1/21).

Frankfurt in Takt 21-1: Körpersinn(e) - Bewegung in den Künsten

In die­ser Aus­ga­be un­se­res Ma­ga­zins geht es um un­ter­schied­li­che und in­ter­dis­zi­pli­nä­re As­pek­te der Be­we­gung in den Küns­ten. Und dann gibt es auch noch et­was zu fei­ern: 60 Jah­re Tanz­aus­bil­dung. Wir gra­tu­lie­ren!

2011 un­til to­day

2011 until today

In 2016, the Dance De­part­ment was suc­cess­ful­ly ac­credi­ted. One re­qui­re­ment of the ac­credi­ta­ti­on com­mis­si­on was to take the chan­ges in the cur­ri­cu­lum into ac­count in terms of per­son­nel as well and to es­tab­lish a pro­fes­sor­ship for dance theo­ry. With the ap­point­ment of Kat­ja Schnei­der, this goal was ful­fil­led. Pri­or to this, Su­san­ne Nood­t's pro­fes­sor­ship had al­rea­dy been trans­for­med into a pro­fes­sor­ship for Con­tem­pora­ry Dance and fil­led by Han­nah Shak­ti-Büh­ler (Con­tem­pora­ry Dance). As a re­sult of the­se chan­ges, the SPO was fun­da­ment­al­ly re­vi­sed, in the cour­se of which the ZuKT trai­ning area was re­n­a­med AB Dance in the win­ter se­mes­ter 2019/20. In the new SPO, trai­ning at AB Tanz in­clu­des con­tem­pora­ry dance, bal­let tech­ni­ques and dance theo­ry.

Pro­fes­sor Marc Sprad­ling has re­ti­red as of the win­ter se­mes­ter 2020/21. He is being re­pla­ced by Isaac Spen­cer.

Be­gin­ning in the sum­mer se­mes­ter of 2020, the Co­vid 19 pan­de­mic cau­sed ma­jor chan­ges in the dance de­part­ment. Clas­ses were not eli­mi­na­ted, but were ad­jus­ted to meet Co­ro­na re­gu­la­ti­ons and tran­si­tio­ned to on­line tea­ching and live strea­ming.

2011: 50 ye­ars of dance edu­ca­ti­on

2011: 50 years of dance education

In 2011 the dance de­part­ment of the HfMDK tur­ned 50 ye­ars young. A gre­at deal has been set in mo­ti­on sin­ce its foun­ding in 1961. We look back with joy, gra­ti­tu­de and pri­de, trace the re­so­nan­ces, build on the ex­pe­ri­en­ces, shape the pre­sent and look bold­ly for­ward.

On the oc­ca­si­on of the 50th an­ni­ver­s­a­ry of the dance de­part­ment a 112-page fes­ti­ve ma­ga­zi­ne was pu­blished.

Festzeitschrift: 50 Jahre Tanzausbildung an der HfMDK

1998 un­til 2010

1998 until 2010

From the thre­at of clo­sure to a new trai­ning con­cept

Due to the re­ti­re­ment of two pro­fes­sors and the cour­se of dis­cus­sion of the stu­dy struc­tu­re re­form, the clo­sure of the bal­let de­part­ment was threa­tened. This was suc­cess­ful­ly aver­ted by the in­ten­si­ve re­sis­tan­ce of the col­le­ge with the sup­port of other lec­tu­rers. Die­ter Heit­kamp (Tanz­fa­brik Ber­lin) re­cei­ved a sub­sti­tu­te pro­fes­sor­ship for the po­si­ti­on va­ca­ted by Prof. Strol­ka's de­par­tu­re. The new­ly for­med ma­nage­ment team, con­sis­ting of Pro­fes­sors Die­ter Heit­kamp, Su­san­ne Noodt, An­ge­la Schmidt, Ja­mes Schar (ar­tis­tic as­si­stant) and Marc Sprad­ling (Frank­furt Bal­let / 2000 sub­sti­tu­te pro­fes­sor­ship for clas­si­cal dance), de­ve­lo­ped a new trai­ning con­cept. The bal­let de­part­ment was trans­for­med into the trai­ning area Con­tem­pora­ry and Clas­si­cal Dance (ZuKT). The ran­ge of theo­ry was ex­pan­ded, body awa­reness me­thods were in­clu­ded in the cur­ri­cu­lum and, in ad­di­ti­on to the exis­ting fo­cus on clas­si­cal dance, a fur­ther em­pha­sis was pla­ced on con­tem­pora­ry dance. In 1999 Wil­liam For­sy­the re­cei­ved an ho­no­ra­ry pro­fes­sor­ship.

A li­vely and very fruit­ful working re­la­ti­ons­hip de­ve­lo­ped with Bal­lett Frank­furt, which is being fur­ther ex­pan­ded with The For­sy­the Com­pa­ny. A con­ti­nuous ex­chan­ge has also de­ve­lo­ped with other thea­tres and dance en­sem­bles such as the Don­lon Dance Com­pa­ny/Bal­let of the Saar­land Sta­te Thea­t­re and the Mar­co San­ti Dance Com­pa­ny / Thea­ter St.Gal­len and cho­reo­graph­ers from the in­de­pen­dent dance sce­ne. In 2001 Prof. Die­ter Heit­kamp was elec­ted di­rec­tor of the dance de­part­ment.

Ba­che­lor and Mas­ter

The year 2007 marks the be­gin­ning of a fur­ther de­ve­lop­ment pha­se of the dance de­part­ment. The stu­dy pro­gram­me of the di­plo­ma cour­se in sta­ge dance was again com­ple­te­ly re­vi­sed and the ba­che­lor cour­se ZuKT_BA­tanz was in­tro­du­ced. With the sup­port of "Tanz­la­bor_21/ Ein Pro­jekt von Tanz­plan Deutsch­land", two new Mas­ter's pro­gram­mes were es­tab­lished: The MAztp for Con­tem­pora­ry Dance Pe­dago­gy and the MA CuP for Cho­reo­gra­phy and Per­for­mance in coope­ra­ti­on with the In­sti­tu­te for Ap­p­lied Thea­t­re Stu­dies at the Jus­tus-Lie­big Uni­ver­si­ty of Gies­sen.

1980 un­til 1998

1980 until 1998

In 1980 Prof. Eg­bert Strol­ka took over the di­rec­tion of the bal­let de­part­ment. He fur­ther de­ve­lo­ped the trai­ning con­cept tog­e­ther with the lec­tu­rers Prof. Su­san­ne Noodt (In­ter­na­tio­nal Folk­lo­re, Mo­dern Dance), Prof. Rus­sell Fa­len (Clas­si­cal Dance) as well as the re­pe­ti­teurs and lec­tu­rers and from 1986 also with Prof. An­ge­la Schmidt (Clas­si­cal Dance).

Im­pul­ses from guest lec­tu­rers and from the in­de­pen­dent dance sce­ne

The se­cond pha­se of de­ve­lop­ment of the dance de­part­ment is cha­rac­te­ri­sed by the re­fi­ne­ment of the tea­ching of clas­si­cal dance, the in­crea­sed in­clu­si­on of mo­dern dance tech­ni­ques, the in­vol­ve­ment of in­ter­na­tio­nal­ly re­now­ned guest lec­tu­rers and the ope­ning up to de­ve­lop­ments from the in­de­pen­dent dance sce­ne.

Cho­reo­graph­ers such as Mau­ricio Wain­rot, Roys­ton Mal­doom, Anna Markard, Dick O'S­wan­born, Anne Wool­liams, Tsu­to­mu Ben Ida, Gün­ter Pick, Ste­fan Hau­fe, Die­ter Heit­kamp and Lo­thar Höf­gen stu­di­ed pie­ces or crea­ted new cho­reo­gra­phies with the stu­dents. The post­gra­dua­te cour­se in dance and sta­ge dance pe­dago­gy was new­ly es­tab­lished.

Move to the Eschers­hei­mer Land­stra­ße

In 1985 the "Jun­ge Bal­lett­kom­pa­nie Hes­sen" was foun­ded. The stu­dents par­ti­ci­pa­ted in many bal­let pro­duc­tions of the Städ­ti­sche Büh­nen Frank­furt and the Sta­te Thea­tres in Wies­ba­den and Mainz. An­nu­al se­ries of per­for­man­ces took place first in the Thea­ter am Turm, then in the Staats­thea­ter Wies­ba­den and af­ter the move in 1990 to the new buil­ding of the HfMDK in the Eschers­hei­mer Land­stras­se in the small hall of the uni­ver­si­ty.

1961 un­til 1980

1961 until 1980

In the win­ter se­mes­ter of 1961, Tat­ja­na Fi­ckel­scher-Luhow­en­ko's pri­va­te school was in­te­gra­ted and in­sti­tu­tio­na­li­zed into the uni­ver­si­ty. The struc­tu­re and ori­en­ta­ti­on of the dance de­part­ment du­ring the first ni­ne­teen ye­ars were shaped by the di­rec­tor Prof. Pe­ter Ah­ren­kiel (clas­si­cal dance) and the lec­tu­rers Prof. Tat­ja­na Fi­ckel­scher-Luhow­en­ko (clas­si­cal dance), Prof. Bri­git­te Mietz­ner-Som­mer (folk­lo­re dance, clas­si­cal dance for child­ren) and Prof. Ma­ri­an­ne Seip­pel-Schö­ner (mo­dern and free dance). The stu­dies en­ded with an "Künst­le­ri­sche Rei­fe­prü­fung Tanz". Around 1970 a dance tea­cher trai­ning was ad­ded.

Ear­ly coope­ra­ti­on with thea­tres and ope­ra houses

The dance de­part­ment coope­ra­ted with the bal­let of the Städ­ti­sche Büh­nen Frank­furt. Du­ring the time of John Neu­mei­er's bal­let di­rec­tion (1969 - 1973) the­re was a wee­kly joint trai­ning (sta­ge class) with the trai­ning di­rec­tor Ray Bar­ra. Un­der the bal­let di­rec­tion of Al­fon­so Catà (1973 - 1976) this class was con­ti­nued with the trai­ning di­rec­tors Kent Sto­well and Fran­cia Rus­sell. Stu­dents par­ti­ci­pa­ted in bal­let and ope­ra pro­duc­tions of the Frank­furt Ope­ra and the Darm­stadt Sta­te Thea­t­re. From the be­gin­ning the­re was a clo­se working re­la­ti­ons­hip with the Child­ren's Bal­let School of the Dr. Hoch­'s Con­ser­vato­ry.