MA CoDE: sum­mer se­mes­ter 2026

Gruppenfoto MA CoDE G11 und G12-Studierende
(Photo: Jennifer Schmid)

April 13th - 16th, 4th se­mes­ter G11

At the start of the se­mes­ter, the 11th ge­ne­ra­ti­on of MA CoDE stu­dents is ta­king its fi­nal mock exams, which fo­cus on ad­ap­ting his­to­ri­cal ma­te­ri­als into con­tem­po­ra­ry edu­ca­tio­nal con­texts. Using ar­chi­val ma­te­ri­al from dance pio­neer Val­eska Gert, les­son plans are be­ing de­ve­lo­ped for the third year BAd­ance.

 

April 7th, 1st se­mes­ter G12

The new ge­ne­ra­ti­on of MA CoDE stu­dents is be­gin­ning their stu­dies at the HfMDK in Frank­furt. The pro­gram fo­cu­ses on the body and con­cepts of the body, as well as aca­de­mic work.

 

from April 9th, Sci­en­ti­fic Wri­ting, Kat­ja Schnei­der 

Dr. Kat­ja Schnei­der ex­plo­res me­thods of crea­ti­ve wri­ting and fo­cu­ses in par­ti­cu­lar on the forms of au­to­bio­gra­phy and the “self-in­ter­view,” re­ports, and do­cu­men­ta­ries. In ad­di­ti­on, the­re is an in­tro­duc­tion to aca­de­mic wri­ting.

 

April 20th - 25th, Ap­plied Ana­to­my, Lau­ra Hicks & Nina Woll­ny

Alum­na Lau­ra Hicks te­a­ches Ap­plied Ana­to­my and fo­cu­ses on the ske­le­tal sys­tem and the func­tion­al ali­gnment of the mus­cu­los­ke­le­tal sys­tem. 

 

April 21st - May 05th, Mas­sa­ge and Touch, Kris­ti­na Veit & Fe­der­i­co Ca­no­sa

In the prac­ti­cal ap­pli­ca­ti­on of va­rious mas­sa­ge tech­ni­ques, yoga in­s­truc­tor Kris­ti­na Veit and Thai yoga mas­seur Fe­der­i­co Ca­no­sa pro­vi­de in­sight into ma­nu­al the­ra­pies and spe­ci­fic ana­to­mic­al in­for­ma­ti­ons.

 

April 30th - May 22nd, Com­mu­ni­ca­ti­on, Chris­ti­na De­log­lu-Kah­lert

The se­mi­nar pro­vi­des in­sights into va­rious com­mu­ni­ca­ti­on mo­dels and theo­ries as a foun­da­ti­on for an in-depth ex­plo­ra­ti­on of com­mu­ni­ca­ti­on and feed­back.

 

May 6th - 21st, Con­flict Ma­nage­ment, Dana Cas­per­sen

Dana Casper­sen, a con­flict ma­nage­ment spe­cia­list and long-time dancer with Wil­liam For­sy­the, in­cor­po­ra­tes her ar­tis­tic ex­pe­ri­ence into new forms of con­flict re­so­lu­ti­on.

 

May 11th - June 16th, Di­ver­si­ty in Dance, Ame­lia Uz­a­te­gui-Bo­nil­la

The stu­dents are working with Ame­lia Uz­a­te­gui Bo­nil­la on con­cepts of the body, which do not ori­gi­na­te from a Eu­ro­cen­tric per­spec­ti­ve. In an on­go­ing se­mi­nar, the stu­dents ex­plo­re dif­fe­rent cul­tu­ral back­grounds in dance from both a theo­re­ti­cal and prac­ti­cal dance per­spec­ti­ves. To­pics such as class, pow­er hier­ar­chies, em­pow­er­ment and re­si­li­ence are in­te­gra­ted into the se­mi­nar.

 

June 1st - 26th, Do­cu­men­ta­ti­on Pro­ces­ses, Flo­rence Co­rin & Bap­tis­te An­dri­en

How are body ex­pe­ri­en­ces trans­la­ted into other me­dia and do­cu­men­ted? Flo­rence Co­rin and Bap­tis­te An­dri­en of Cont­redan­se have been ex­plo­ring this for ye­ars and, tog­e­ther with ar­tists such as Ste­ve Pax­t­on, Anna Hal­prin, and Lisa Nel­son, they are con­stant­ly fin­ding new ways to in­ter­pret the­se works. Is­sues in dance do­cu­men­ta­ti­on will be pre­sen­ted and dis­cus­sed, as well as cur­rent re­se­arch and do­cu­men­ta­ti­on fin­dings.

 

June 9th - 15th, Ex­pert In­ter­views

The stu­dents mo­de­ra­ted th­ree ex­pert in­ter­views on their edu­ca­tio­nal back­grounds and the me­tho­do­lo­gies be­hind their tea­ching ap­proa­ches. The guests were Ver­ó­ni­ca Gar­zón, Prof. Han­nah Shak­ti Büh­ler and Nina Woll­ny.

 

June 17th - 21st, Tanz­tri­en­na­le 2026 Ham­burg, Kamp­na­gel, K3

The Tanz­tri­en­na­le, as a new in­itia­ti­ve for dance, is a long-term, re­cur­ring event: Dance is to be made vi­si­ble, streng­the­ned, and re­co­gni­zed as a so­ci­al­ly re­le­vant prac­ti­ce.

It fo­cu­ses on brin­ging tog­e­ther va­rious dance styl­es, to show­ca­se cur­rent trends in con­tem­po­ra­ry dance, to ap­peal to a broad au­di­ence, and to pro­mo­te pro­fes­sio­nal ex­ch­an­ge.

The fes­ti­val and the pro­fes­sio­nal ex­ch­an­ge are an in­itia­ti­ve of the Fe­de­ral Cul­tu­ral Foun­da­ti­on un­der the di­rec­tion of Ar­tis­tic Di­rec­tor Ka­tar­zy­na Wiel­ga-Sko­li­mows­ka. The ran­ge of in­vi­ted ar­tists as part of the in­au­gu­ral edi­ti­on ran­ges from in­ter­na­tio­nal­ly re­now­ned com­pa­nies to the lo­cal Ham­burg dance sce­ne.

As part of the four-day fo­rum from June 18th - 21st, pro­fes­sio­nal dance ar­tists, in­ter­na­tio­nal de­le­ga­ti­ons, and re­pre­sen­ta­ti­ves from va­rious cul­tu­ral po­li­cy net­works and or­ga­niza­ti­ons in Ger­ma­ny and around the world come to Ham­burg, to dis­cuss how dance as an art form can be streng­the­ned and the vi­si­bi­li­ty of ar­tis­tic di­ver­si­ty in­cre­as­ed. Stu­dents from both ge­ne­ra­ti­ons of the MA CoDE pro­gram par­ti­ci­pa­te in the dis­cur­si­ve and phy­si­cal for­mats, in­clu­ding pa­nel dis­cus­sions, mo­de­ra­ted ses­si­ons, and dance work­shops. They at­tend two per­for­man­ces each to en­ga­ge with cur­rent theo­re­ti­cal and ar­tis­tic dis­cour­ses in dance.

 

June 23rd & 24th, Soft Skills in Dance, Pa­tri­cia Ca­ro­lin Mai 

What is the con­nec­tion bet­ween con­tem­po­ra­ry dance and the de­ve­lo­p­ment of soft skills? The Eu­ro­pean re­se­arch pro­ject “Em­powe­ring Dance” ex­plo­red this ques­ti­on. Dancer and cho­reo­grapher Pa­tri­cia Ca­ro­lin Mai pres­ents the fin­dings. The work­shop ex­plo­res im­pli­cit forms of know­ledge and fa­ci­li­ta­tes a re­flec­ti­ve ap­proach to and prac­ti­cal ap­pli­ca­ti­on of soft skills in one’s own dance tea­ching in one’s own tea­ching prac­ti­ce.

 

July 07th & 08th, Mo­ve­ment Ana­ly­sis, Clau­dia Jesch­ke

Clau­dia Jesch­ke leads a cour­se on mo­ve­ment ana­ly­sis and the sci­en­ti­fic do­cu­men­ta­ti­on and no­ta­ti­on of dance and mo­ve­ment, ba­sed on her re­con­s­truc­tion of Vas­lav Ni­jin­sky’s “L’Après-midi d’un fau­ne.”

 

July 15th, Tech­no Rave, Fan­ni Schack & DJ schack­matt

For the cur­rent G11 and G12 ge­ne­ra­ti­ons, the se­mes­ter is fra­med by two tech­no ra­ves fea­turing an un­der­ground sym­ph­o­ny. Un­der the gui­dance of MA CoDE alum­na Fan­ni Schack, the stu­dents ex­plo­re va­rious sta­tes of mo­ve­ment and per­cep­ti­on, ac­com­pa­nied by ana­log and elec­tro­nic beats from DJ schack­matt. This shared, coll­ec­ti­ve ex­pe­ri­ence, to which all MA CoDE ge­ne­ra­ti­ons are in­vi­ted, ser­ves to streng­then the net­work.

 

HTA - Ring­vor­le­sung "Das ist al­les von der Kunst­frei­heit ge­deckt", Lei­tung: Prof. Ma­ri­on Tiedt­ke

23. April: "Frei­heit und Ver­ant­wor­tung", Werk­statt­ge­spräch mit Jet­te Ste­ckel und Ul­rich Ra­che, Mo­de­ra­ti­on: Ma­ri­on Tiedt­ke

21. Mai: "Frei­heit und In­sti­tu­ti­on", Werk­statt­ge­spräch mit Frie­da Lan­ge und Klaus Ze­helein, Mo­de­ra­ti­on: Lo­renz Ag­ger­mann

25. Juni: "Frei­heit und Recht", Werk­statt­ge­spräch mit Gün­ter Fran­ken­berg und Mat­thi­as Pees, Mo­de­ra­ti­on: Ma­ri­on Tiedt­ke